3rd Sunday of Lent

Go to a marae and before you enter the wharenui you will remove your shoes.
Shoes sit in front of the door to the wharenui (meeting house).

When visitors enter a wharenui they should remove their shoes and leave them at the door (though there are some wharenui in which shoes may be worn inside).

One explanation for this is that the dust from the marae ātea (courtyard), which is the domain of Tūmatauenga, the god of war, should not be brought into the wharenui, the domain of Rongo, the god of peace.

Another explanation is that the wharenui, also known as the whare tipuna (ancestral house), represents a tribal ancestor.

The tekoteko (carved figure on the gable of the house) is the head, the maihi (barge boards) are the arms, the tāhuhu (ridgepole) is the backbone and the heke (rafters) are the ribs.

Respect is shown for the tipuna (ancestor) by removing shoes.

We are who we are today due to those who have gone before us.
Family is where our stories begin.

When inside the whare tipuna we have entered “holy ground”.

Today’s first reading from the Book of Exodus is the story of the encounter between Moses and his God (Ex. 3: 1-8ff) .

“When the Lord saw him coming over to look at it more closely, God called out to him from the bush, “Moses! Moses!”

He answered, “Here I am.”

God said, “Come no nearer!

Remove the sandals from your feet,
for the place where you stand is holy ground.

I am the God of your fathers, “he continued,
“the God of Abraham, the God of Isaac, the God of Jacob.” (Ex. 3:4 6)

Abraham, Isaac, and Jacob are the tipuna of Moses; it is where his story began.

Their story is his story.

The story is “holy ground”.

2nd Sunday of Lent

L’Arche is an international movement concerned with the care of people with intellectual disabilities.

Many of these people live together in community.

One such community member was a man named Pierre.

Pierre had a mental disability.

One day, one of the workers in the community asked Pierre, ‘Do you pray?’

Pierre answered, ‘Yes’.

And the questioner asked, ‘And what do you do when you pray?’

Pierre answered, ‘I listen’.

‘And what does God say to you?’

‘God says, “Pierre, you are my beloved son”’

Maybe this too is what we ought do – listen.

The author, Max Picard, in his book titled “The World of Silence” writes, “When language ceases, silence begins. But it does not begin because language ceases. The absence of language simply makes the presence of Silence more apparent.”

And in the quiet listening space hear a Voice say, ‘You are my beloved.’

 

1st Sunday of Lent

Lent is here again.

Retreat for a moment to remember your childhood.

    • Sweets gather in an Agee jar in the cupboard.
    • Fasting and abstinence are to the fore.
    • Self-restraint in all things is the order of the day.
    • No meat on Fridays.
    • Strong determination to do something more worthwhile.

My strongest memory is that I have always celebrated my birthday during Lent!

Why did my parents choose early March as my birth date?

My image for the season of Lent is living with the blinds pulled down!

The word subdued comes to mind.

Sackcloth would be the Old Testament equivalent.

There are, however, I suggest some anomalies in our season of Lent.

The first is in the “liturgical sackcloth” we use. Our Lenten liturgical colour is purple, the same colour used most frequently during our ritual for the dead.

In antiquity, purple was one of the most challenging colours to produce, making it highly prized and often reserved for the elite.

The most famous purple dye, Tyrian purple, was derived from the mucous secretion of sea snails, particularly the Murex brandaris.

This painstaking process required thousands of snails to produce a tiny amount of dye, contributing to its high value and association with nobility and power.

The Roman emperors famously donned purple togas, symbolizing their supreme status.

The rare and expensive Tyrian dye of antiquity is now widely available through the synthetic pigments of the 19th century.

To this day purple is associated with royalty, wealth and power. If in doubt, Google search images of King Charles III and Queen Camilla waving to the gathered crowd immediately following his coronation!

Following his coronation at Westminster Abbey, Charles III retired to a side room and re-dressed in a specially made purple satin coronation tunic.

The second anomaly is the very word itself – Lent.

The word originates from the Old English word “lencten” which means Spring.

Spring is the season of new budding, of new growth.

It is the season of new colour, of freshness, of awakening.

It is the season of new lambs and calves, daffodils and tulips.

The world is anything but subdued. The world is noisy with new life.

The third anomaly, in my opinion, is our use of ashes.

If you participated in the Ash Wednesday liturgy and the ritual of the ashes, you may notice that an element of the usual Mass ritual was omitted, namely, the Penitential Rite.

The Penitential Rite has been replaced by the blessing and giving of ashes.

The ashes have been given a “penitential” feel. However, ashes are anything but penitential; wood ash provides potassium and lime, essential for healthy growth.

“When you fast do not put on a gloomy look as the hypocrites do: they pull long faces to let people know they are fasting.” (Mtt.6:16)

Palm Sunday

Murder on the Orient Express is a work of detective fiction by English writer Agatha Christie featuring the Belgian detective Hercule Poirot. The book was first published in January 1934.

There have been four film adaptations.

The 2017 screen adaptation featured such well-known names as Judi Dench, Kenneth Branagh and Johnny Depp.

The film begins with a young boy running helter-skelter through an awakening city. The boy carries a collection of chicken eggs for the chef to choose two.

The eggs are boiled and presented to Monsieur Hercules Poirot for his breakfast.

The young boy is not seen again, most of the film happening on a train. In the cast credits, he is simply named a ‘young boy. ‘

Like many others, known as ‘extras’ their presence is necessary for the film to be produced.

They are known as ‘uncredited’

When one reads the entire cast, one is faced with the fact that there at least 59 uncredited persons were in the cast!

They are necessary to the film, so necessary that nobody notices.

The illustration is of a mosaic of the entry of Jesus into Jerusalem. The mosaic is found in the Church of the Nativity in Bethlehem. Since 2013, Italian restorationists have been working in a mammoth effort to restore the mosaics present in the Church. Mosaics in the Church date back to the 4thC, AD.

Today, in our liturgy for Palm Sunday, I invite you to notice an ‘uncredited’ cast member – the donkey!

“Jesus found a young donkey and sat on it . . . .” (Jn. 12:14)

All four of the Gospels record the same event, (Lk. 19: 35, Mt. 21:7, Mk. 11:7).

It is not the first occasion Jesus has been on a donkey!

While there is no Scriptural evidence, I invite you to cast your mind back to those Christmas cards you send and receive each year.

Many include a portrait of Mary and Joseph making the journey to Bethlehem and Mary is sitting astride a donkey. And Mary is pregnant.

The Gospel of Matthew also tells the story of the Holy Family’s flight into Egypt (Mt. 2: 13- 23).

Again, without Scriptural evidence, artists throughout the generations have pictured this ‘flight’ with Mary and the newborn Jesus sitting on a donkey and being led by Joseph.

Uncredited and yet essential – the donkey!

The one who carries the Word made flesh!

As companions of Jesus, that is our call also – to be uncredited and yet essential carriers of the Word!